When such an instance is encountered, it may be more appropriate to use the greater range of control provided by a parametric type equaliser, where the centre frequency, bandwidth and amplitude are all controllable.Įqualisers may be used for corrective or creative purposes and the Red Rock Sound EQ302 is applicable in both live sound and studio applications. There are applications where the ability to cut and boost the response at a particular frequency, or over a certain bandwidth other than the equaliser specified one, is required to overcome exceptionally difficult response anomalies or narrow band feedback problems. It should be noted that graphic equalisation cannot always overcome all frequency response related problems. Clearly, this is an unacceptable state of affairs, but fortunately your choice to utilise a Red Rock Sound EQ302 Graphic Equaliser will eliminate these problems, offering you unprecedented product performance coupled with the highest filter calibration and reliability standards in the industry. For example, an indifferently designed equaliser may introduce severe phase distortion, noise and other anomalies related to centre frequency accuracy, filter shape and attenuation accuracy which may manifest themselves as an overall deterioration in the perceived sound quality of the system. The entire signal passes through it and so any limitations imposed by the equaliser will compromise the performance of the whole system.

The graphic equaliser is a vital component in any audio system. Red Rock Sound EQ302 is a 32 band equaliser offering 12 dB of cut or boost in 1/3 octave steps between the frequencies of 16 Hz and 20 kHz. Get the guaranteed best price on Equalizers like the Alto AEQ231 Stereo 31-Band Graphic EQ at Musicians Friend.

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